Archive for the ‘Mythology and Folklore’ Category

Mankind has always had a special relationship with the stars. In the modern world we explore them scientifically: searching for the answers to the Big Questions regarding the origins of life and the extent of the wider universe around us. We look up at the stars through veils of ambient electric lights and smog, wishing upon them still. We escape to the countryside to truly see the stars as best we may, watching them in place of the television sets which usually fill our nightly vision.

And in so doing we are continuing a bond man and womankind has had with the stars from the very beginning. For much of the time mankind has walked the earth, we did not know the stars as we know them to be today: huge balls of plasma energy strung out in space billions of light years away. Instead, we held them on high as something else, something magickal. In ancient societies, when the sun went down, there was the vast illuminated landscape of a starry sky lurking above them: mysterious and constant. It was a distinct part of their cultural worldview; its placement in the heavens and its occasional idiosyncrasies explained as part of ancient mythologies and religions. Imagine their wonder looking up at the night sky and imagining it looking right back at them.

And bear in mind, that without electric lights to dim the view, the night sky would have been distinctly brighter and filled with finer textures and gradients of colors and lights. The Milky Way not a slightly filmier band across the sky but a broad avenue of swirling colors stretching across an upside down starscape: a fitting pathway for the gods or divine river among the cosmos.

Shooting stars in particular hold a special place with the cosmic mythologies of most ancient civilizations. For the falling star represents an interaction between man and the divine. It represents something moving from a heavenly cosmic plain to the mortal, earthly world. It was probably with some surprise that upon tracking the falling place of a “star” to earth, they would discover a small crater filled with a glassy rock, which, today of course, we call a meteorite. Many cultures venerated meteor rocks as powerful magickal talisman, sent from the sky gods to the denizens of earth. The ancient Greeks believed that finding one would bring you a year’s worth of good luck and a wish; and it is from them that we have ultimately inherited the idea of wishing upon a star. Native American medicine men have been known to wear them as protective amulets, passing them down through generation after generation of shaman as symbols of their power. And temples throughout the ancient Mediterranean were in possession of meteorites, likewise holding them as sacred objects. Even in the modern world, a meteorite is one of the most venerated objects in contemporary monotheistic religious practices: the Black Stone of the Ka’baa. Believed to have been sent from God to Abraham and then passed down to Mohammad, the Ka’baa stone is technically a relic of all three Abrahamic faiths (Judaism, Christianity, and Islam), and is the centerpiece of the holiest of holy Mosques in Mecca in modern Saudi Arabia, a former temple to the local Moon/Water God.

Falling stars have traditionally had a myriad of metaphysical and spiritual meanings behind them as well.
Stars are, in particular, frequently associated with the idea of the human soul. In the Teutonic mythology of central Europe, it was believed that every person was represented by a star which was attached to the ceiling of the sky by the threads of fate. And when Fate ended your story on earth, she would snip the thread attaching your star and it would fall, presaging your death. In Romania, there is a belief that the stars are candles lit by the gods (and later the saints) in honor of each person’s birth and that the brighter the star the greater the person. The falling star represents the soul’s final journey to the afterlife as it is being blown out and across the sky by the divine candle keepers. In these and other cultures, falling stars and meteor showers were celebrated ~ they honored the ancestors who had come before them, and in particular the newly deceased who were joining the ranks of the highly venerated generations who had come before.

Even in the Middle Ages after the triumph of Christianity, the pagan equation between shooting stars and the movement of souls could not be snuffed out entirely. And so it was vilified; the shooting stars were cast as the souls of evil and impious men being cast out of heaven and down into the bowels of the earth.

Shooting stars have and always will hold a special amazement to those viewing them. For their beauty alone they are worth staying up for. And if you’re ready for the long haul tonight or tomorrow night (August 12th and 13th respectively) and you live in the Northern Hemisphere~ you’re in luck! It’s the peak of the Perseid Meteor Shower. Every year between August 9th and 14th, the Earth bumbles through the trail of rocky and icy debris left behind by the comet Swift-Tuttle: creating one of the most dependable and spectacular arrays of shooting stars on earth. It has, undoubtedly, been witnessed by man for millennia; though the first recorded instance of it did not occur until 36 AD in China; with the first official scientific description of the shower occurring almost 2000 years later in Belgium in 1835.

The Perseid meteor shower is named after its seeming origination in the nightsky from the constellation Perseus, itself named after the Greek hero of the same name. The stars which make up the constellation of Perseus have their own elaborate mythologies. In particular the star Algol; which, due to its variable eclipsing nature and unpredictable level of brightness was known first as the Gorgon’s Head after Perseus’ arch-nemesis the Gorgon Medusa, and then the Demon’s Head until it was simply just the Demon Star or the Ghoul Star (algol= al-ghoul). The shower was also later referred to in a more saintly manner. In medieval times they were called the Tears of St.
Lawrence in consideration of the fact that they would fall around his feast day on August 10th.

So if you can ~ go out late tonight or tomorrow night and watch the Perseids. Watch them and remember all those who have come before you to watch them down through the millennia. Watch them in honor of the souls they were said to represent. Watch them simply for the thrill of watching something so beautiful and cosmic and so beyond the human ken. Make some wishes. Catch one in your mind’s eye and never let it go.

Bibliography

Burke, J.G. 1986. Cosmic Debris: Meteorites in History. University of California Press.

Perseus Constellation: Myths, Stars, Deep Sky Objects, & Comets
Perseids: The Legendary Shower

Fairy Tales should not be swiftly discounted for their seemingly fictional and innocent purposes as children’s stories. The tales thus preserved are, in fact, windows into other times, ancient peoples’ thoughts, and older magicks. They are just as valuable a tool in anthropological study as traditional religious mythology, and to a certain extent, observational science and archaeology. They provide insight into the psychology and perception of their contemporary societies by both the people living in those societies and those transmitting the stories since. Furthermore, their archetypal nature speaks to something deeper in all man and womankind; regardless of the story’s origins or original temporal setting. This archetypal voice is why these stories still resonate with audiences today. And it is research into understanding this archetypal psychology which has dominated the anthropology of the fairy tale and been the focus of work for famous names such as J.R.R. Tolkein, Joseph Campbell, Claude Levi-Strauss, Georges Frazer, and Carl Jung, etc.

The witches of the traditional canon of fairy tales, i.e. of Hans Christian Anderson, the Brothers Grimm, and the rest of their late 17th through to early 19th century peers provide particularly remarkable insight into two periods of time: the time of the authors themselves; as well as the earlier pre-Industrial Revolution era their stories are typically set in.

Growing discontent with the pervading religious system and local government, coupled with rampant diseases (like the Black Plague), led to a rise in fear on the European continent. With the advent of writing and a stronger infrastructure of roads and trade, this fear was not an isolated incident, but was communicated between groups of people: between villages on a smaller level and between countries -for indeed, now we have come to the period where countries are starting to define themselves as separate states with distinct borders rather than cultural alliances and princely empires as before. Though this new, unprecedented opportunity would later prove to be the cure for the darkness of the period, it was at first but a promoter of the miasma of fear which hung over the late medieval world. In need of a scapegoat, the western world, and in particular the Catholic Church, looked around for something ‘other’ to blame all of their fears and woes upon. And they found what they sought in the form of the witch. A female with power, an outsider to the community, a link to the devil or the pagan communities that had ruled Europe prior to Christian domination ~ the figure of the witch was a multi-purpose target. An easy mark, the witch was vilified, both in person and in the resultant stories of her.

If you want to learn more about the witches of fairy tale and take a deeper look at the residual layers of fairy tale and symbolism of the new characters and archetypes attached to the myth of the witch, then join the Sacred Mists’ newest class: The History of Witches in the Western World ~ taught by yours truly. Using an anthropological perspective, this class explores the changing forms of magick and the evolution of the ‘Witch’ through the biographies of mythological witches of the antiquity through to the historical magickal figures.

Above image courtesy of fanpop

  Nestled in the midst of Sylvia Plath’s Sonnet: To Time, the line ‘So cry for the pagan girl left picking olives beside a sunblue sea…” has long remained with me. Occasionally on the coast it will pop into my head unbidden, or late at night driving through the ‘neon, plastic-windowed city’ the poem will rise up out of y swirling subconscious to remind me of its sadness and its beauty.

  Sonnet: To Time (see below) is a melancholy tribute to the loss of the Old Ways. It is a mid-twentieth century pre-cursor to the swelling tide of magickal reaffirmation, Wiccan paths, and Neo-Paganism that was soon to sweep our world (literally, broomsticks and all!). Indeed, the late lamented Sylvia Plath was once briefly into the occult. Plath and husband-poet Ted Hughes temporarily joined some of the magickal groups in 1950s Britain, delving into the erudite mysteries of astrology and astral projection. Plath’s interests in the lost magicks of the world and the decay of ancient civilizations is evident throughout her poetry, even in her early years as a writer.

  Collected as part of her Juvenilia, it was written long before Plath was an established poet and author. Its obscurity means that Sonnet: To Time is often overlooked in literary circles, but this does not mean it is not worthy of our magickal attention. It is a haunting reminder of the presence of magick in the world, how easily humankind overlooks it, and how quickly it might slip away. But ultimately, it cannot desert the world entirely. Traces of it will always linger in our memories and myths, no matter how mundane the world becomes.

Sonnet To Time
By Sylvia Plath

Today we move in jade and cease with garnet
Amid the ticking jeweled clocks that mark
Our years. Death comes in a casual steel car, yet
We vaunt our days in neon and scorn the dark.

But outside the diabolic steel of this
Most plastic-windowed city, I can hear
The lone wind raving in the gutter, his
Voice crying exclusion in my ear.

So cry for the pagan girl left picking olives
Beside a sunblue sea, and mourn the flagon
Raised to toast a thousand kings, for all gives
Sorrow; weep for the legendary dragon.

Time is a great machine of iron bars
That drains eternally the milk of stars.

  Sonnet: To Time has long been a favorite piece of litchantment for me and I hope that you too have enjoyed it. Please post about other favorite magickal literary lovelies that have inspired you and that you would like to share!

Get outside this Tuesday and witness one of the most marvelous, magickal astronomical events of your lifetime!

  Every eighty or so years, the orbits of the earth, the sun, and the planet Venus line up so that those of us here can view Venus sailing across the fiery depths of our central star. It happens as a paired event, so eight years ago you had a chance to watch the first half and over the 5th and 6th of June this week(depending on your location) you have a chance to watch this second, final half. Sadly, given the length of time between the sets, it is unlikely that the majority of the current world population alive to see the event today will live to see the next one in 2117 CE.

  But why is this magickally significant? As a major, visible alignment of some very unlikely celestial orbits: transits are remarkable for the beauty of their phenomena and for the implications of the movement of their solar dance, both culturally and astrologically. And in this case, where it is a confluence between the sun, Venus, and the earth, there are a plethora of positive magickal symbolisms which can be extracted from their opportune meeting. And in 2012, the so-called year of the apocalypse: the more positive meanings that can be extruded to counterbalance the negative, the better!

‘Men are from Mars, Woman are from Venus.’

  Popularized as a book title in the late twentieth century, this phrase already explicitly explained something most people inherently recognized about Venus: its femininity. From time immemorial, man and womankind has looked up at the planet Venus, burning brightly as the morning ‘star’ and associated it with womanhood and with love. The ancient Mesopotamians associated it with Inanna and Ishtar, their queenly goddesses of fertility and feminine wiles. The Greeks and Romans associated it with their goddesses Aphrodite and Venus, the latter of whom it gets its name directly of. The planet Venus is, indeed, the only feminine planet in our solar system ~ the rest of the planets are named after male mythological figures. Other than the singular stunning exception of Venus, only the moons of our planets reference female figures. Later associations between the morning ‘star’, a.k.a Venus rising and the association with dark forces like the Christian devil, were later attempts to villanize the sanctity of the brightly lit planet for earlier pagan cultures.

 

  As a representative of feminine ideas of fertility and growth, its transit across the sun, as viewable from earth, has widespread implications of abundance and innovation for those on earth. Indeed, many of the previous known transits of Venus have occurred at peak times during the late Renaissance and Enlightenment. The last series of transits occurred just around the time various marvelous things were being invented, like the telephone. Unfortunately, the phenomena has only been seriously noted for its last four transits (i.e. since the invention of the telescope), though it has been passing us by all along and would have been potentially noticeable under certain circumstances. Any earlier mentions of it have yet to be reconciled with the historic event. However a lack of a historic record does not mean that the superstition and mythical meaning of the event went unremarked upon. It merely means that the modern world has not been able to hold on to this information.

  It may also signal a high point in lovability. And may represent the need for mankind to focus in on preserving the own environment and womb of our friendly mother earth.

  Whether you watch to support its myriad of magickal messages, or merely just to witness this most astounding of natural events (carefully though! Don’t ever look directly at the sun!): do try to catch a glimpse of this rare celestial phenomena!

  For more general information, as well as where and when to try to catch the transit, and how best to watch it, check out the Transit of Venus website devoted to the event.

  For more information on the astrological meaning of the transit and its historical confluences, check astrologist Alison Chester-Lambert’s excellent blog out on the topic.

  For more information on the science of the transit, including an explanation of the orbits which results in its rarity, check out the BBC’s video on the topic and look forward to the eventual digital premiere of their documentary Horizon: The Transit of Venus.

Caption for top photo: Botticelli’s 1486 painting The Birth of Venus depicts Venus rising fully grown from the sea, just as the morning star, the planet Venus, rises from the sea at the distant horizon.

  Have you ever walked into the other room and forgotten why you went in? Or been in the middle of a presentation for work or school and forgotten your next line? Though modern science has investigated and standardized the human information processing system that encompasses remembrance and recall, the concept of Memory and its importance was recognized very early on in human culture.

  Without memory, much of everyday human interaction is meaningless. We operate within a system of recognized social queues and norms, and we cooperate best with those people and sub-systems which are most familiar to us. We all recognize that green means go and red means stop. And we know to trust our family and friends rather than the random stranger lurking on the street. We know these things, because they are embedded as part of our memories. We build up our knowledge base cumulatively utilizing memory. And thus, any new creations and inspirations can be tied into our ability to do this. The anthropologists of the past several decades have worked to formalize our understanding of this concept (Tomasello, etc). But it was recognized long ago, most famously by the ancient Greeks who cast memory into the personified form of the goddess Mnemosyne, and the bright ideas built off of memory became her inspirational daughters, the Muses.

  Mnemosyne was a Titaness, one of the many deities representative of the earlier pantheon of the Indo-European Greek mainland which was supplanted by the more famous Olympians. Legend has it that for nine passionate nights, Zeus was allowed to forget about his troubles and stress as new divine ruler of the world by remaining in the arms of Mnemosyne. And from their union, nine months later, the nine Muses were born at the oracular springs of Pieria. These sacred waters were probably a prophetic pilgrimage site for those seeking to gain the favor of Mnemosyne and the ability to either remember or to forget. Mnemosyne holds sway over both of these qualities. She is said to control the River Lethe and subsidiary waters in the Underworld which grant forgetfulness of one’s previous life or continued remembrance of it into the next.

  Using a wide definition of the concept of what it means to be a ‘witch,’ one which emphasizes that where knowledge is power, those ‘in the know’ are therefore possessed of magickal qualities, Mnemosyne can be seen as an esoteric witch of antiquity. I use the term ‘esoteric’ here with reference to the philosophical and cultic aspects associated with Mnemosyne, memory, and the concepts of death and reincarnation. Such aspects of her cult were much more prevalent during the later periods of classical antiquity as first the Greek Eleusinian Mysteries and then the Roman Mystery cults (and ultimately Christianity, which was once upon a time a sort of Mystery Cult) swept the landscape, offering up new philosophical teachings regarding the notion of the omnipresent soul, its cycles through life and death, and its habitus when it is between these places. In essence, Mnemosyne became the gatekeeper regarding knowledge of one’s former lives.

  But she was not just honored for otherworldly role, but for the power she could imbue in her adherents in the mainstream world. Kings and politicians particularly sought her favor. And as the mother of the nine Muses, she was constantly evoked alongside her daughters. Indeed, it is likely that the Muses themselves were all initially aspects of Mnemosyne herself, which over time, became divisible and separated out as distinct deities of their own. When Homer so evocatively calls upon The Muse at the start of his Odyssey (“Sing to me of the man, Muse, that man of twists and turns drive time and again off course, once he had plundered the hallowed heights of Troy…Launch out on his story, Muse, daughter of Zeus, start from where you will –sing for our time too”) it is likely early versions referenced Mnemosyne as a conglomeration of all the innnovative aspects which later became attributed out to her children. The oral nature of Homer’s work entails additions and alterations along the way. The singular general term ‘Muse’ as opposed to naming one of the specific deities, most likely Clio, Muse of History, implies higher levels of generalization or else a different entity than that which classical audiences would have assumed. The phrase ‘daughter of Zeus,’ though included in modern translations, is representative of a later alteration or addition to the text from periods whereby the relationship between Zeus and the Muses is more formalized. It may initially have said nothing of Zeus whatsoever, or else specified a different relationship to him.

  The cosmology of Mnemosyne and her creative kiddies is most explicitly outlined in Hesoid’s Theogony or ‘Birth of the Gods:’

“(ll. 36-52) Come thou, let us begin with the Muses who gladden
the great spirit of their father Zeus in Olympus with their
songs, telling of things that are and that shall be and that were
aforetime with consenting voice. Unwearying flows the sweet
sound from their lips, and the house of their father Zeus the
loud-thunderer is glad at the lily-like voice of the goddesses as
it spread abroad, and the peaks of snowy Olympus resound, and the
homes of the immortals. And they uttering their immortal voice,
celebrate in song first of all the reverend race of the gods from
the beginning, those whom Earth and wide Heaven begot, and the
gods sprung of these, givers of good things. Then, next, the
goddesses sing of Zeus, the father of gods and men, as they begin
and end their strain, how much he is the most excellent among the
gods and supreme in power. And again, they chant the race of men
and strong giants, and gladden the heart of Zeus within Olympus,
– the Olympian Muses, daughters of Zeus the aegis-holder.

(ll. 53-74) Them in Pieria did Mnemosyne (Memory), who reigns
over the hills of Eleuther, bear of union with the father, the
son of Cronos, a forgetting of ills and a rest from sorrow. For
nine nights did wise Zeus lie with her, entering her holy bed
remote from the immortals. And when a year was passed and the
seasons came round as the months waned, and many days were
accomplished, she bare nine daughters, all of one mind, whose
hearts are set upon song and their spirit free from care, a
little way from the topmost peak of snowy Olympus. There are
their bright dancing-places and beautiful homes, and beside them
the Graces and Himerus (Desire) live in delight. And they,
uttering through their lips a lovely voice, sing the laws of all
and the goodly ways of the immortals, uttering their lovely
voice. Then went they to Olympus, delighting in their sweet
voice, with heavenly song, and the dark earth resounded about
them as they chanted, and a lovely sound rose up beneath their
feet as they went to their father. And he was reigning in
heaven, himself holding the lightning and glowing thunderbolt,
when he had overcome by might his father Cronos; and he
distributed fairly to the immortals their portions and declared
their privileges.

(ll. 75-103) These things, then, the Muses sang who dwell on
Olympus, nine daughters begotten by great Zeus, Cleio and
Euterpe, Thaleia, Melpomene and Terpsichore, and Erato and
Polyhymnia and Urania and Calliope (3), who is the chiefest of
them all, for she attends on worshipful princes: whomsoever of
heaven-nourished princes the daughters of great Zeus honour, and
behold him at his birth, they pour sweet dew upon his tongue, and
from his lips flow gracious words. All the people look towards
him while he settles causes with true judgements: and he,
speaking surely, would soon make wise end even of a great
quarrel; for therefore are there princes wise in heart, because
when the people are being misguided in their assembly, they set
right the matter again with ease, persuading them with gentle
words. And when he passes through a gathering, they greet him as
a god with gentle reverence, and he is conspicuous amongst the
assembled: such is the holy gift of the Muses to men. For it is
through the Muses and far-shooting Apollo that there are singers
and harpers upon the earth; but princes are of Zeus, and happy is
he whom the Muses love: sweet flows speech from his mouth. For
though a man have sorrow and grief in his newly-troubled soul and
live in dread because his heart is distressed, yet, when a
singer, the servant of the Muses, chants the glorious deeds of
men of old and the blessed gods who inhabit Olympus, at once he
forgets his heaviness and remembers not his sorrows at all; but
the gifts of the goddesses soon turn him away from these.

(ll. 104-115) Hail, children of Zeus! Grant lovely song and
celebrate the holy race of the deathless gods who are for ever,
those that were born of Earth and starry Heaven and gloomy Night
and them that briny Sea did rear. Tell how at the first gods and
earth came to be, and rivers, and the boundless sea with its
raging swell, and the gleaming stars, and the wide heaven above,
and the gods who were born of them, givers of good things, and
how they divided their wealth, and how they shared their honours
amongst them, and also how at the first they took many-folded
Olympus. These things declare to me from the beginning, ye Muses
who dwell in the house of Olympus, and tell me which of them
first came to be.”

  Though Mnemosyne’s magickal powers were not preserved, her divinatory nature and her control over knowledge, remembrance, and the transitioning soul entitle her a role as a goddess for witches. Knowledge is power. And knowledge is created by Memory, which is ruled over by Mnemosyne.

  As the United States collectively pauses to celebrate the memory of those we have lost in times of battle, it is fitting that we also celebrate our own ability to remember them. And perhaps wonder what lives they have moved on to now, and what memories they will retain of their former glory.

  If you want to learn more about mythical and historical figures like Mnemosyne and delve into the deeper more fabulously magickal realms of the Witches of Antiquity, now is your chance! The Sacred Mists newest class, History of Witches in the Western World , is now open for enrollment. Created and taught by yours truly, the class utilizes the mythical, literary, and historical biographies of witch-figures to explore the history and anthropology of magick from prehistory through to the last century. I hope to see you around its digital hallowed halls!

Initial Image is Dante Gabriel Rossetti’s Lamp of Memory or Mnemosyne. Completed in 1877, the canvas’ frame is inscribed with the phrase “Thou fill’st from the winged chalice of the soul/ Thy lamp, O Memory, fire-winged to its goal.”