Archive for the ‘Uncategorized’ Category

  Somebody happened to call me a “mythic creature” on Friday; and it has stuck with me all weekend.

  In context, it was a rather mundane and flippant figure of speech. One of the engineers in the digital archaeology lab I’ve just started at was merely elaborating on how rare it was to have one of the researchers in the lab for the full creative process. As a user of the technology verses a creator of it, he was basically saying that it was a novel concept to have my input at this stage of development. Really, it was a compliment of sorts (I hope). But it was more his turn of phrase that caught my attention. And rapidly pulled me from my everyday work, into the magickal realm I share here with all of you at Sacred Mists. Down the rabbit hole, as it were.

  My initial visualization of my possession of the label ‘mythic creature’ had much to do with the addition of faerie wings trying to fit round my desk chair and a unicorn’s horn sprouting from my forehead. Eventually, however, my meandering daydreams wandered away from the specific image of me as a mythic creature in the engineering lab; and more to do with just the idea of the mythic creature in the lab or office: Pegasus flying past the window, sprites floating in the water cooler, satyrs bounding off the elevator, and the like. The magick seeping through the mundane.

  Really, however, if one has been paying close attention to the faerie tales of childhood and, indeed, of world mythology: that is exactly how these mythic creatures present themselves. Out of the corner of your eye, there is a little something extra that you can spot for an instant and then is gone. In faerie tales: it may be a meeting with an elderly woman in the woods who you politely shared your bread with (thus earning the power to spit up jewels) or the spider you carried outside instead of smashing (and who later helped you succeed at a seemingly futile task). In faerie tales, and indeed perhaps in real life, the true encounters with mythic creatures are not ones you really pay that much attention to as a special encounter of any kind. The effects of the meeting may be felt; blessings given or mischief enacted (depending on the type of mythic creature), and one is left pondering the encounter, identifying what one can about what you saw, and extemporizing the rest to make sense of it ~ often fitting it into the known order of things in order to make it fit into one’s view of the world. More often than not, one might not realize that they’ve had such an encounter because they were not aware of what they were looking for and even if they saw something had no subconscious archetype against which to compare it. The Platonic archetypes extolled by the likes of Joseph Campbell and Carl Jung can often seem like vague generalizations, but they are worth knowing as reference points. It is, after all, easier to put together the jigsaw puzzle if one knows what the general picture is meant to be of. The meeting of the mythic with the mundane is where magick translates outside of anthropology and becomes a part of one’s life experience.

  I admit, that when not working on a project for the Sacred Mists, I often forget to look around me and see the magick in the world: the beauty and power that vibrates through everything; the wonder that I know I experienced as a child looking out at the world and knowing beyond a shadow of a doubt that magickal things could happen. The seemingly innocuous phrase ‘mythic creature’ woke me up. It made me LOOK. It made me SEE. It made me aware and appreciative. For this past weekend, at least.

  And while no, I have not spotted any landvaettir around my apartment, fey lurking in the shrubbery, or trolls under the freeway bridge: the part of me that steadfastly believes in the anthropological power of faerie tales maintains that they are there. They have just gotten very, very good at blending in. So much so, that when we see them or meet them, we probably don’t even realize what they really might be.

Mr. Tumnus takes the human Lucy deeper into Narnia in Pauline Baynes original drawings for the earlier editions of C.S. Lewis' The Lion, The Witch, and The Wardrobe.

  The power of seeing the mythic creature in the modern world can lead to marvelous things. Ever heard of a little place called Narnia? Narnia is a magickal realm full of myth and wonder that has provided children and adults alike with a refuge, despite its ultimately fictional nature. Its author C. S. Lewis reputedly first began creating the back-story for Narnia whilst riding on a train one snowy evening. Looking out at the town, a man carrying his shopping and an umbrella appeared to have the legs of a faun instead of those of a human. And thus Mr. Tumnus, the first Narnian was born. If you take nothing else away from C.S. Lewis’s masterpiece series the Chronicles of Narnia, take away the idea that great things come from using your imagination and seeing the magick in the mundane. From seeing the mythic creature in the modern world.

  Have you had any recent encounters you’ve realized were less than mundane? Are your bumblebees secretly faeries or your pool overrun with lorelei? Or did you open the door for a stranger or give a lost tourist directions and feel inexplicably blessed the rest of the day? Mythic creatures come in all shapes and forms. Let us know about your recent run-ins!

  And if you haven’t had any recent encounters with mythic creatures: go seek them out. Attempt an anthropological cum psychological experiment into your own awareness and find them in unlikely places. Find them at your office, in your home, or in the pages of a fairy tale you’ve long since given up~ those archetyes still speak to you, if you’re willing to listen, so give them another chance. And then report back here and share your experience with everyone else!

Image Credit: At the top is Mary Gow’s Fairy Tales.

Next in out series of interviews is the very prolific author, Judika Illes! In today’s interview, Judika talks about her love of magic, her many books and her diverse background.

Bernadette:
We would love to hear a little bit about your background Judika!  Many of your books deal with magic from many different backgrounds and cultures, so I’d love to hear about your background and influences!

Judika:
Well, I’m from Queens, one of New York City’s outer boroughs, which partially explains my comfort and familiarity with different cultures. Queens is reputedly the most ethnically-diverse place on Earth. I come from a fairly international family—I have relatives all over the place. I was the first person in my family to be born in the United States. I grew up with people from lots of different backgrounds, cultures, religions, and spiritual traditions, so I was raised to be tolerant and not make assumptions about people.
I think that personally I am a fairly good example of an urban magical practitioner. Magical practitioners from major urban centers like New York are constantly learning from each other, trading and sharing information, and evolving new traditions. The traditions I learned at home were mainly Central and Eastern European, but I was also heavily influenced by people who taught me African-American, Latin-American, Caribbean, North African, and East Asian traditions. Other influences on me include the great occult stores that flourished in New York City during my youth, before rising rents drove them out of business—great stores like Samuel Weiser’s Books and Magickal Childe, and all the botanicas and wonderful herb stores like Aphrodisia, which just closed recently. Growing up, there was also an unofficial but strong and distinct local New York style of magic, mainly an amalgamation of Western occultism and Puerto Rican traditions, especially Espiritismo—I’m very much a product of my background.

Bernadette:

Tell us about what inspires you to write Judika.  Your books are great sources of information for anyone interested in metaphysics.  How do you go about compiling and researching all information that needed to complete the books that you write?

Judika:

What inspires me to write is my love for my topics. I am so blessed and privileged to be able to write about subjects I love, like spells and witchcraft, saints and spirits. I enjoy the researching process- that part is fun and I would do it for myself, whether I was published or not.
Writing itself is difficult, but I feel an obligation to my material, to preserve it and also to present it in the clearest possible way, so that readers can share in my passions. I love divination, for instance, and I want other people to love it, too. My motivations aren’t entirely unselfish—I think that there’s greater safety for my community of magical practitioners and fortune-tellers if the greater public really understands what it is that we do. Historically, it has been dangerous to practice these arts, as it still is in some places today. I hope that my writing helps dispel fear and misinformation.
My research derives from a combination of personal exploration, learning from books and learning from other people. By nature, I’m a fairly shy person, but I’m a fearless researcher. I contact perfect strangers, if I perceive that they have information needed for one of my books or if I need someone to teach me something or explain something to me—I’ve made some wonderful friends this way.

Bernadette:

Do you have “other” interests or hobbies?

Judika:

Oh, yeah, lots—although whether I have time to devote to them depends on my writing schedule. I love beading and cooking. I read a lot just for my own pleasure: history, mysteries, comic books, art books. I love music. I like to watch movies. I tend to accumulate stuff- I’m an avid collector, especially of witchcraft-themed items like postcards and dolls. I love traveling. Given the opportunity, I’d do all my own field research, if I could.

Bernadette:

What’s in the future for Judika?  What projects do you have coming up?

Judika:

My next book, The Encyclopedia of Mystics, Saint, and Sages will be published in November 2011. It’s another thousand-page encyclopedia, this one exploring saints, holy people, and miracle-workers from many spiritual traditions. It’s a practical work, similar to my Encyclopedia of Spirits, containing information regarding how to venerate and communicate with a wide variety of saints, as well as information on how to determine which saints are most compatible with you and helpful for your own particular problems and issues. I’m also in the process of updating my website and, hopefully, doing some more teaching. Having spent much of the last ten years alone in a room writing, I really appreciate opportunities for personal contact. I have some new classes in the works that I’m very excited about.

Bernadette:

Is there a book that you would like to write, but haven’t done so yet?

Judika:

I would actually like to write some fiction someday—I have a few novels turning around in my head that haven’t made it onto paper yet. I also have several half-completed books. The Encyclopedia of Spirits was initially going to incorporate saints and angels alongside Pagan spirits but the manuscript grew too big. The easiest way to trim it was to delete these categories with the hope that someday they would have their own books. The Encyclopedia of Mystics, Saints, and Sages will be published in November and hopefully the angels will one day have their own encyclopedia, too.
I began my writing career with a large work on fertility that remains unpublished. That manuscript contains a chapter of magic spells. A publisher rejected the book, but liked that chapter, which evolved into my first published work, Pure Magic: A Complete Course in Spellcasting. I would very much like to eventually publish my fertility book.

Bernadette:

I wanted to let people know about your musical background..can you tell us a little about that?

Judika:

I know that’s something we share, Bernadette! My first true loves were music, magic spells, and divination and they remain so today. Some of my earliest memories involve listening to music on the radio and eventually I became a disc jockey. I started off hosting a blues show, but also did standard rock programs and would sometimes fill in for the country and jazz hosts. My taste is eclectic. As with the magical arts, I love and appreciate many styles of music. I was the first female music director of WRSU-FM, the radio station affiliated with Rutgers University. In terms of the craft of writing, the writers who have influenced me the most are the music journalists of the ‘70s, who wrote with clarity and humor and were not afraid to wear their passions on their respective sleeves. When I was eighteen, my career plans involved these musically-oriented paths, but free-form radio was in its death-throes, as was that sort of music journalism, so I ended up on different paths, although, who knows? Radio has evolved and I may return to it someday. The urge to share music with other people spills out of me on facebook, where I’m constantly posting music news and sharing youtube videos.

Bernadette:

How do you feel about the pagan community today?

Judika:

I try to approach people as individuals, regardless of their background. I think that we are blessed to live in a spiritual renaissance and that we should be ever-vigilant to preserve hard-won liberties. I think that it’s crucial that we cultivate tolerance for each other.

Bernadette:

Any advice for aspiring pagan writers?
Judika:

People are constantly writing to me, telling me what book they think I should write next—sometimes describing these books in great detail. And what I always tell them is that if you can “see” a book that doesn’t yet exist, then maybe you’re meant to be the one that writes it. That’s how I began my career—I perceived a need for a book and I could “see” the book that would fulfill that need. If you can see it, then you can write it. This is a good time for spiritual publishing, so don’t wait. If you have a book in your head, put it down on paper. Just write it— it’s easier to fix or embellish something that already exists, rather than agonize over words in your head. My other word of advice is to consider the format in which you would like to present your work. If you hope to actually publish something in book form—whether in a traditional book or an e-book—then don’t post too much of the actual work on the internet: save it for the book itself.

This interview was such a pleasure to do!  Judika’s books have become the”mainstay” of anyone who is interested in the study of spells and magic.  I refer to her books on a daily basis!

Here are just some of her many books:

http://www.judikaIlles.com

The Sacred Wheel

The Sacred Land.

There is one belief that runs through all aboriginal belief systems across the world and that is that the land is sacred. From the native Americans to the aboriginal tribes of Australia the land is something to respected and held in high regard.

Dare I also include Britain in this august company? I think that at one time I could have, and people in the Pagan world be they Druids like myself or Witches are trying to reclaim this sense of the sacredness of the land.

Some good friends and I visited Avebury on Saturday and we were treated to a guided tour of some of the lesser known sites in the landscape, some of which were over six thousand years old.

What struck me was the relationship the people had with the land and how in tune with it they were. From birth to death they included the land in there daily lives. Our lives are governed by small increments of time, days, hours, and seconds whereas our ancestors were governed by the turning of the seasons.

This is where I believe the wheel of the year plays its part. Although to some extent it is a modern construct I feel its biggest benefit is to slow our thinking down. As we follow this yearly cycle our brains are rewired to think in terms of what the land is doing at any given time.

So I believe that the land is sacred and I would go even further in believing that the land is the body of the Goddess. Her body the hills, her hair the waving grass, her arms and the majestic trees, her feet buried in deep dark soil.

So is the land sacred? Look around you at all the trees bursting in to leaf and the land becoming fertile after the fallow time of winter and I think that you would agree with me when I say yes it most certainly is.

Pangur-ban

We now continue with our series of interviews with noted author Christopher Penczak!

Bernadette:

Many of the celebrations of the Wheel of the Year were originally created and celebrated by a culture that were no longer a hunter-gatherer society but were an agricultural society.
Many of us today are not following an agricultural lifestyle, though we receive the benefits of such.

Does this cultural change of today’s times warrant today’s pagans to reassess our magical celebrations?

Christopher:

While we’re not involved in an agricultural lifestyle, one could argue in terms of food, we still an agricultural society. Even when you don’t live on a farm, the markers of the season are important touchstones to the cycle of life in the course of a single year. The outer signs, such as the first flowers, the changing of the leaves or the rise and fall in sunlight indicate tides of life force that flow in our world, and its important as magickal people to be in touch with those tides. They influence our health, mood and magick. I think they are particularly important for those of us who are not living on a farm, to keep in touch with the lifetides that feed and support us.

Read the rest of this entry »

Given that St. Patrick’s Day is technically a Catholic holiday, one strongly associated with the casting out of the pagan culture of Ireland; it might seem a little anti-magick. And perhaps for the past four centuries that St. Patrick’s Day was celebrated there has been a certain stigma to it among pagan and wiccan sub- cultures. But over the past few decades a marvelous transition has occurred and St. Patrick’s Day is no longer just a celebration of the late 4th century missionary it was created to honor, it is a celebration of Irish culture. And my-oh-my, Irish culture has A LOT to celebrate.

In a certain sense, one can say that Celtic culture is one of the oldest continuing in the world today, often with many of its symbols and superstitions still intact. Established by the late fourth millenium BCE in Ireland, Celtic culture actually originated in the mountains between Europe and Asia, spreading out westward across the land. For once upon a time, “Celtic” culture was not just limited to the British Isles, but swept across much of Northern Europe in various forms like the Hallstatt (8th-6th c BCE) and La Tene (450 BCE-1st c. BCE) cultures. The Celts, tied together by linguistic similarities and an ancestral homeland in the Indo-European mountain steppes, dominated western Europe for a little over a millennia before cultural interaction with Mediterranean cultures, particularly the Romans, transformed their way of life significantly. As one of the farthest western bastions of Celtic culture, one left reasonably undisturbed by the Romans until the early Christian period of St. Patrick, Ireland represents a metaphorical bank vault of less disturbed facets of ancient Celtic culture, and especially its magick and lore. Even once Ireland had adopted Christianity, it tucked away much of its myth ~ hiding it among Christian stories or saints and relegating it to its own realm of well-believed superstition.
Read the rest of this entry »

In honor of Valentine’s Day this year, it seemed appropriate to dwell on the philosophy of love magick in bygone days…

Love, as a human constant, has been one of the most powerful motivations behind the use of magick throughout the ages. Love spells appear in the oldest of texts right down to the modern world where they are still practiced today, albeit with a strict set of ethical guidelines regarding intent.

But in the world of the classical Mediterranean, magick was much more commonplace and freely used than it is today. It was a part of everyday existence. Philosophy, medicine, and religion were all intertwined: the intelligent and physical blended seamlessly with the spiritual. The act of falling in love or lust (or preferably both!) which the modern world can scientifically chalk up to chemical reactions in the body, was seen, instead (and perhaps rightly so) as a form of magick in and of itself. And as such, things like passion could be encouraged or inhibited by the use of other magicks. In the Hellenistic world ~ one influenced strongly by the culture of classical fifth century BCE Greece which was spread by the armies of Alexander the Great ~ magickal spells to incite love and lust or prevent them were commonplace. Love charms were sold in the marketplace and doled out by the temples of a multitude of gods. Herbs which evoked lust and faithfulness were sold on street corners, hawked by grandmothers and young girls learned in the arts of the apothecary. Rites to inspire passion were passed down from generation to generation, recorded in snippets of literature for posterity to analyze much later. Love and Love magick were all around.
Read the rest of this entry »