Posts Tagged ‘Sacred Mists’
Sacred Pilgrimages: A Witchy History Tour of Salem, MA
In 1692, the sleepy town of Salem Massachusetts was swept with fear as the most infamous witch trials of colonial America rocked burgeoning province. While not impervious to the witch trials which had been sweeping Europe over the course of the preceding centuries, America had managed to avoid the wild, superstitious fear until the 1640s. Several trials occurred in the 1640s, but only in 1647 did New England have its first execution of a witch. A smattering of accusations and trials occurred over the next several decades, but the peak of the witch-hunt in the early Americas ultimately took place in Salem and its nearby villages.
The most well-documented of the early American cases, the trials of Salem spiraled from cases of childish magick to a socio-political nightmare that took the lives of a significant number of the female population of the township and its surrounding areas. The witch trials encompassed both purported actual witches, like the confessed enchantress Tituba, to the young girls whose immature attempts at divination were tied together with later seizures, speculatively from the eating of or exposure to psychotropic grain or other natural products. As the American lowlight of the Burning Times, the Salem Witch Trials represent an important, although tragic key point in the the anthropology of magick.
As I happened to be in Massachusetts this past weekend for an archaeology and heritage conference, I was able to make a pilgrimage to the pleasant New England town of Salem. Be it out of respect for the witches and innocents persecuted by the infamous trial or a morbid curiosity about gothic matters, Salem has become a tourist Mecca. And while many things in Salem have an element of kitsch about them, there is still much respect for the town’s solemn role in the history of witchcraft, both with regards to honoring the dark events that brought it notoriety and valuing the role it has for the modern Wiccan, Witch, and Neo-pagan communities because of its occult connotations.
My tour through Salem started off with a green bang. As we drove into Salem proper, my co-tourist and I discovered that Salem Commons was featuring an ecological rally for a green Salem (good cause!). We began our official tour with a brief visit to the National Park Service’s Visitors center for Salem, mostly to collect the relevant maps and brochures that were necessary to navigate the town. A meandering stroll around town led us past such amusing things as a local Pirate museum and some of the Witch museums of wax figures, none of which took our fancy enough to actually go in. Though these museums probably certainly have their charm, I was more keen to skip such secondary and third resources and go straight to the primary. And thus my principal goal for my Saturday afternoon in Salem was visiting the actual historical points of interest.
This kicked off with a visit the Burying Point, the oldest graveyard in Salem. Somberly perched on high ground in the city center, the Burying Point contains several of the dignitaries associated with the witch trials, many relatives of famous colonial personages, and my particular favorite concept (from my warped archaeological perspective) an exciting array of tombstone iconography representative of the seriation of styles prominent during the late 17th and early 18th centuries (super dorky reference, but I am quite a fan: Remember Me as you Pass By, Chapter 4 of James Deetz’ seminal book on historical archaeology and the cultural implications of gravestone iconography In Small Things Forgotten: An Archaeology of Early American Life). I had been planning on taking some pastel rubbings of some of the iconography, but sadly, very prominent signs forbade against this artistic endeavor. I did , however, manage a respectful rubbing of Emily Dickinson’s grave marker (“Called Back”) earlier in my trip.
The Burying Point is also the home of the Witch Trials Memorial, an artistic series of granite benches and inscribed paving stones which memorialize “the events of 1692 … as a yardstick to measure the depth of civility and due process in our society” (per the Salem City website).

The winged skull was a popular decoration for early 18th century gravestones, as shown here on the marker for Captain John Hathorne, one of the judges in the Witch Trials of 1692.
Following a quick trip to A&J King’s fabulous bakery (walnut cinnamon buns to die for!) and brief tours past some of the more architecturally exciting bits of downtown Salem, we headed for the most pop culturally iconic monument in the town: the Bewitched Statue. As pictured at the start of this article, the statue is a bronze casting of Elizabeth Montgomery as Samantha Stevens astride her broomstick and against a crescent moon. Placed in Salem by TVLand, it is a fitting memorial to one of television’s greatest and most respectful representations of witchcraft in the modern world, as well as a testament to the role Salem holds as a place of magic, forever associated with the witches (and falsely accused magicians) of the New World. As a bright spot in the history of witchcraft, the show Bewitched, and its commemoration in Salem, provides a perfect counterpoint to the dark history Salem is typically associated with.
More meanders through town ensued, including trips into several of the touristy cum magickal shops, which although great, could not compare to the Sacred Mists Shoppe (if you haven’t been to the bricks and mortar version of Shoppe in Napa, it is well worth a trip of its own! Go!). And finally, after some fabulous frozen custard, my co-tourist and I headed over to the Maritime Museum and House of Seven Gables. Though the pirates obviously held strong appeal, it was the House of Seven Gables I was more excited to see. For one reason or another, it seems most American high school curriculums include Nathaniel Hawthorne’s The Scarlett Letter, but I believe his House of Seven Gables to be the far superior and more engaging text. The story of a lingering superstition, the politics of the witch trials, and a cursed set of families, the dynastic saga peaks at the invasion of a distant cousin who manic-pixie-dream-girls the lineages out of their various plights. Hawthorne’s cousin’s house that inspired the tale still perches along the waterfront in Salem. The house is a stunning piece of period architecture which serves as a historical testament both to the book, and the family’s own actual connections to the Salem witch trials that inspired the initial cursed events of the classic tale.

The author at the Burying Point, the oldest cemetery in Salem and the official starting point of my tour of witchy history this past weekend.
Though Salem’s place in the history of witchcraft is a dark legacy, the town of Salem remains an important focal point for magick. The idea of ‘The Witch’ has come a long long way from the hysterical fear it once elicited. Modern role models for the wiccan and neo-pagan communities like Bewitched or even Harry Potterhave done much to move away from the evil stereotypes once associated with being a witch. But in order to appreciate how far society has come out of the broom closet, we must fully understand how deep the fear of the ‘other’ represented by magick has come. We must memorialize the dark times in order to fully appreciate the light.
BioMagick: Exploring the Enchanted Uses of Garlic
Garlic and superstition have gone hand in hand for millennia. A tasty, natural curative –garlic’s power as a magickal protective charm and as a potent remedy has remained strong from ancient times through to the present day.
Worried about vampires? No problem. Carry some garlic and decorate your doors and windows with it. The use of garlic to protect against these pop culture prevalent denizens of the night is perhaps the most ubiquitous use of the aromatic bulb known today.
But its usage as a form of apotropaic or warding magick is far more ancient. The ancient Egyptians would utilize it to protect the sanctity of contracts and oaths. Medieval miners would carry it down to the mines with them to ward against evil spirits like the invisible and mischevious German kobolds. The pungent odor and easily portable bulb and cloves of the garlic plant ( allium sativum) made and, indeed, still make it, an ideal charm against evil in all of its multiple forms. Its Sanskrit name Rasona or Lasuona actually means ‘Slayer of Monsters.’ But not all of the monsters it protected against were of the fiendish variety. More often then not, it was the monstrous interior medical ills that garlic was utilized to protect against.
The second century AD Roman physician Galen of Pergamon labeled garlic as a ‘theriac’ or antidote which eventually translated into its widespread usage in imperial Roman medicine as a universal panacea or curative. In Ayurvedic medicine, one of the earliest ongoing systems of homeopathic curatives, garlic was utilized as an aphrodisiac, stimulant, and charm against virulent diseases like smallpox. Indeed, the sulfur and selenium components within the garlic bulb which presumably originated as a defense mechanism against hungry predatory animals result in garlic’s scientifically recognized properties as a valuable antiseptic, which does indeed aid in protecting against bacteria, inflammation, and viruses. Recent studies indicate that the consumption of garlic may help prevent against certain types of cancer. Garlic was recognized early on for its curative powers, but we are only just exploring the tip of the iceberg of what its wonderful biological magick can do for our own biological systems.
Biomagick aside, my particular favorite fact in the litany of garlic’s history (some of which is included above and others of which you will encounter in Sacred Mists fabulous Herbalist Course ) relates to its ritual usage. Garlic was once the primary offering to the great Greek goddess of magick herself: the mighty Hekate. The third century BCE philosopher Theophrastus recorded in his botanical texts Enquiry into Plants and On the Causes of Plants how garlic would be offered at crossroads and in front of the three-faced statues dedicated to Hekate found at such places.
SO the next time you throw a bit of delicious garlic into your cooking, take a second to speculate about the long legacy of interaction between garlic and humankind. For at least five thousand years men and women have consumed this tasty plant and utilized it in their magico-medicine practices. It is a tradition of tastiness and superstition predating biological scientific fact, one which you are continuing by adding it into your daily diet.
Interviewing or Taking a Test – A spell to help!
With so many people looking for work, looking to improve themselves by going back to school we find ourselves in the front of an interviewer or a test. No need to panic you can do it! You’ve made it this far and you can do this too. Want to bolster a little magickal support for your needs, try this cute and effective spell.
A TWIG Spell for Success (Perfect for a test or interview)
Items Needed:
A small bit of water
Matches or Lighter
1 Oil Burner (the Abundance Goddess is my favorite)
3 drops of benzoin EO
3 drops of Cinnamon EO
1 Yellow candle (a spell candle works perfectly) in a secure holder (the Bubble Magick or Cobalt Stars are my favorites)
1 Purple Candle (a spell candle works perfectly) in a secure holder
1 sharp craft or kitchen knife (I love using the Silver Leaf Boline for this kind of work)
1 naturally forked twig
1 6inch length of plain string or twine
Instructions:
**Place all the ingredients on the desk on a surface where you have been researching or studying for your exam/test or preparing for your interview.
**Light the oil burner, placing the water and essential oil in its dish.
**Light the Yellow Candle, saying:
Mercury ease my way in this (exam/test/interview)
**Light the purple candle, saying:
Jupiter bring me Fortune
**Using the craft knife, trim the forked twig to a convienient size to fit in your pocket or handbag.
**Carve into the longest part of the twig the rune known as “Rad”. Rad means “wheel” and it will help the wheel of fortune turn in your favor.
**Now slowly wind the string or twine around the base of the twig, chanting as you do so:
Air to find
Thread to bind,
Find what’s best and
Make it mine.
**Tie off the string and the spell is complete.
**Carry the twig with you when you attend or work on your exam/test/interview, keep it close to you until you have achieved your goal.
**Once you have achieved your goal, say a silent “Thank You” as you cast it into flowing water.
A Week of Empowerment – Conclusion
Our week of empowerment blogged about earlier is coming to a close.
This morning I recorded the working for the final day as posted here. I wanted to work on this empowerment to help build myself up for the pending Mercury Retrograde to help me weather the storm that usually knocks the socks right off me!
You can do these exercises anytime at all to give yourself a boost.
Literary Witches: The Lady of Shalott

Alfred Lord Tennyson’s 1842 poem, The Lady of Shalott creatively manufactured one of the most influential witch figures of the second half of the last millennium. A combination of the witches of Avalon from the medieval Arthurian sagas and Edmund Spencer’s Faerie Queen, the unnamed Lady of Shalott is both and she is neither. She is a powerful seer separate from society, yet one who sorrows. She has seemingly sacrificed human interaction in exchange for her mystical powers, and yet she regrets this sacrifice: longing to love and be loved in return. And this is perhaps her most notable contribution to the witch-lore of the centuries that were to follow: the myth that the witch cannot or should not love a mortal without sacrificing her power or some other element of self or magickal community.
Obviously, this is not a true concept. A witch, like any other human or even mammal, is capable of love and of being loved. However, in casting the Lady of Shalott as a tragic victim of her own power, Tennyson unwittingly launched a pop culture campaign exploring this idea of love vs. magickal power, and the combination thereof. It was a particularly popular notion in witch-films and television of the middle twentieth century, notably the classic films So I Married a Witch and Bell, Book, and Candle as well as the magickal sitcom Betwitched.
The power disparity between the witch and her lover (and indeed Bell, Book, and Candle’s insistence that she sacrifice her power if she is to be in love) descends from The Lady of Shalott’s dark focus on the ethics of its witch-faerie star falling in love. It begs the question of whether she can love without magickally influencing the object of her love to love her back? It also debates whether a relationship between a magickal being and a non-magickal being is a balanced relationship. These related questions are vital to two anthropological discussions: the influence societal, or in this case, otherworldly power, has in any relationship (i.e. Does the Queen or the Royal Mistress really love the King or did she marry him for the throne?) and the modern magickal nix on the use of love magick for ethical reasons.
Where Helen of Troy was the face that launched a thousand ships, the boat of the Lady of Shalott launched a series of ethical questions integral to both the anthropology of magick and the psychology of relationships.
For a more in-depth look at the Lady of Shalott, her fellow literary witches, and other historical and mythical witches: keep your eye out for the upcoming class: History of Witches in the Western World! NEW from yours truly and exclusively offered at the fabulous Sacred Mists!!
Pictured above is John William Waterhouse’s famous version of The Lady of Shalott.
A Week of Empowerment
Right now the cosmos are gearing up for another Mercury Retrograde (starting on the 12th). Knowing that communications and such are going to go haywire, I feel that it is a good time to work on my own confidence and empowerment so that even when things go wonky I will be rooted firmly in myself to work through the toughest of challenges that Mercury may present to me.
Tuesday 3-6:
Burning this week on my altar is a Goddess Drop Candle from the Sacred Mists Shoppe. It is a dark burgundy and perfect for empowerment. I will burn my candle for two hours each day this week. Rosy Pink and Marigold Orange Color Magick Sizzling Spell Papers will be used throughout the workings of this week.
Marigold Sizzling Spell Paper,write an affirmation. You may use the one below I have written or write one of your own.
CONFIDENCE (on one side)
Light within, Shine throughout.
Blight within, I cast you out.
Strength and Calm, Filling my life,
Head held high, Blessed Be!
Today I have folded mine into a football shape and written my name on it. After it is lit with my empowerment candle I reflect on strength and confidence. I look within and find my core and anchor to it. As my candle burns for the two hours today I will know that I am valued and can hold my head high.
Wednesday 3-7:
Rosy Pink Color Magick Sizzling Spell Paper. On it I will write an affirmation (again you may use mine or write your own).
Beauty is a state of mind,
Love is a state of heart.
Beauty, a wonderful find,
Love within, never apart.
I love, I am loved.
I cherish, I am cherished.
This is all about love and self-love. With my candle lit I will reflect on the simple act of love and loving. I know that I cannot be loved unless I love and that includes loving myself. Today I will be gentle for the mistakes I will make.
I will work in perfect love and trust thinking of others as each task is completed.
Thursday 3-8:
I trust myself
I think for myself
I act for myself
I speak for myself
I am myself.
Every action I take today will be done with confidence and knowledge that my actions will affect those around me and those that touch upon them. I recognize my place in the world around me and claim my actions, my power and my part!
Friday 3-9
This is our last day in our empowering work for the week and we will use Rosy Color Magick Sizzling Spell Paper to write our affirmation on today.
Beautiful Day rich with power,
Blessed Night filled with wonder.
Confidence rising by the hour,
Love and Beauty never to be torn asunder.
I walk in trust and love,
Soaring high through the clouds,
I walk in trust and love.
Today we bring it all together heads held high in confidence and empowerment. We own our actions, we own our interactions we are all empowered to be the change we want in the world and to grow!











