Posts Tagged ‘Spirituality’
Sacred Mists Book Review: Witching Cultures: Folklore & Neo-Paganism in America by Sabina Magliocco
If you, like I, have ever pondered the plurality of culture in modern Wicca and Neo-paganism, then you should read this book.
If you have ever wondered at how Celtic symbolism, the Kabbalistic Tarot, Native American Spirit Animals, and the use of yoga, kundalina, and chakras (etc) can all be blended together within New Age counterculture and contemporary spiritual practices ~ then you should read this book.
How and why did all of the ancestral traditions come to be peacefully united within the context of modern paganism? How has the cultural diffusion of the world at large contributed to such a delightful polygenesis or amalgamation of past and present? If your interest is piqued at this very notion…then you ought to read this book.
Sabina Magliocco’s Witching Cultures: Folklore and Neo-Paganism in America is not just an ethnographic exploration into modern Neo-paganism, it represents a new and important step in the anthropology of the contemporary magickal community. Unlike the classic foundation texts on the anthropology of modern witchcraft like Hutton’s The Triumph of the Moon and Luhrmann’s Persuasions of the Witch’s Craft: Ritual Magick in Contemporary England, Magliocco’s work does not just seek to explore the existence of a magickal community and their perceptions of magick, but rather strives to understand how the multi-cultural magickal menu came to be so diversified. In attempting to understand how magickal and spiritual traditions are borrowed and hybridized into contemporary practice, Magliocco explores the underlying anthropological meanings and psychological back-story behind such acceptance and incorporation. It is not a history book, it is an examination of modern practices. Though it is light on the structuralist anthropological theoretical framework it was undeniably written in, it is a groundbreaking text in pagan and (by association) wiccan studies.
Witching Cultures: Folklore and Neo-Paganism in America is a celebration of how the practice of modern magick delicately and respectfully crosses cultural boundaries to create approachable and shared meanings. As Magliocco concludes “The art of magic allows our imagination to transcend the boundaries of local blood and geography, to experience, at least in part, other cultures and time periods and feel empathy with other living beings (237).”
Of all of the witchy texts I have reviewed lately, Witching Cultures: Folklore and Neo-Paganism in America by Sabina Magliocco is my new favorite and I highly recommend you give it a go.
A Week of Empowerment – Conclusion
Our week of empowerment blogged about earlier is coming to a close.
This morning I recorded the working for the final day as posted here. I wanted to work on this empowerment to help build myself up for the pending Mercury Retrograde to help me weather the storm that usually knocks the socks right off me!
You can do these exercises anytime at all to give yourself a boost.
Inspiring Change – Monday Magick
Monday’s are all about home, family, love, health, magick and dreams. These last two, the association is hard to ignore with the ruler of Monday being the Moon. The colors today are silver and white.
With this in mind today’s magick is going to be postponed to be called tonight’s magick
and one that I will be doing before I lay down to bed tonight.
The moon for today is in Taurus making it a fantastic time to work with inner peace, love,
creativity. These are the spells that take the longest to manifest but the results are
stable and long lasting.
My primary altar is on my desk, I use this altar every day. I do have a secondary altar
on my nightstand next to the bed that houses gemstones and a spot for a candle should I want one and an incense burner with either a small stone offering bowl or a stone goddess in the center.
Materials for tonight’s magick:
White Votive Candle (I am using a Sacred White Sage Votive)
Incense with Sandalwood or Jasmine (I am using Hari – Amber/Sandalwood)
Moonstone gem (if you have one)
Set your altar or bedside table (if safe) with the votive, incense burner and gemstone.
If you have an oil you use before sleep please anoint your votive with it. I will be
anointing mine with what some may believe to be an odd choice, nevertheless; I will be
using the Ostara Creamy Petals – Spellbound Potion on my candle. The scent relaxes and
opens my mind to the possibilities before me.
Sit before your altar, light your candle and focus on a challenge in your life right now.
Something you need to find resolution to, something that blocks your way, something that needs divine inspiration to help you find a creative solution through. Be very specific
in your thoughts. For me personally, I will be working on resolving challenges presented
before me in an effort to relocate with the ability to maintain my bills and life while
simultaneously improving it for the better.
I am looking for inspiration and creativity to help me find the direction, by using the
dream-state to lay the groundwork needed.
You may enter a meditative state while thinking about your challenge, this is perfectly
fine and normal as you will begin to receive visions of symbols by letting your conscious
mind go and allowing your inner-self take over to give you ideas and directions.
When you are ready, dab a little of the anointing oil on your temples and third eye then
lay down for sleep.
You may find your dreamstate to be more active. Before your feet hit the ground in the
morning, write down the symbols you are able to recall from your dreaming. These will
help you find your way through your challenge and bring your goals to fruition.
For the Grandmothers…
Today, I had planned on working with the magick of Friday, alas even the best laid plans are subject to be changed. Instead I worked on this video and dedicate it to my friends Dierna and Jenn especially, who are going through a trying time. We all have periods where we lose a loved one and in the spirit of Peace, comfort, strength and love, I offer this today in replacement of my original plans.
I have a Sugared Spring Candle burning on my altar today. It’s an Ostara Ritual candle and the color and scent just seemed perfect to me to burn. I used Rosey Pink for the Color Magick Sizzling Spell Paper today, combined with the Rose Quartz in my offering bowl. I will be gifting the stones to each of them after today completes.
Tarot and the Two Sides of Balance
As a Third Degree Dedicant and Second Degree Initiated Priestess of the Sacred Mists Coven, I have spent many years studying, writing about, and thinking about the polar opposites that are Goddess and God, and of the manifestations of energy patterns in my world that correspond with the purest and highest of energies that are the Sacred Feminine and the Sacred Masculine. I see these patterns everywhere in the workings of man and of Nature, sometimes a combination of the Two, and other times a preference for One or the Other. No matter how polarized these energies may manifest in an individual situation, when I look at the overall picture I always see the dynamic balance that can happen when “different” is combined with “equal.”
A state of balance (or the lack thereof) has been a periodically intense part of my evolution and growth; when I have it, life itself seems effortless, and when I don’t have it, I seem to be surrounded by a brick wall stretching upward into the clouds, with footings deep in the earth below me. Why is it so easy for us to sense when we have balance, and why is it so difficult to attain if we don’t have it? My typical “language” for answering tough questions is the Tarot, and since this is a tough question, I pulled out several of my decks; here is what my cards told me about the concept of balance.
Both The Hanging Man and the Temperance card of the Major Arcana came to mind almost immediately; after all, the word “balance” is found in my keyword for each of these cards. But although both cards are a symbol or manifestation of balance, The Hanging Man is not Temperance; each card has a different feel to it. Could there be two versions of balance?
First, The Hanging Man.
Besides balance, The Hanging Man is about voluntary and involuntary surrender; it is the archetype of sacrifice and initiation. The Hanging Man also corresponds to the element of Water, the planet Neptune, and the Hebrew letter Mem (which corresponds to Water, and stability and balance). It represents the Path between Hod (analysis, science and teaching) and Geburah (challenges, sacrifice and destruction, all of which release energy back into the system) on the Tree of Life.
The crossed legs of The Hanging Man represent the Cross of Hermes and this pose shows up on another Major Arcana card, The Emperor. This commonality reminds us that The Hanging Man, who has learned that surrender and sacrifice are the best tools, is in many ways the polar opposite of The Emperor. The Hanging Man also corresponds with The Fool, who seems to be surrendering to both the sun in the sky and the cliff beneath his feet as he commences his journey. The Hanging Man is also linked to the Death card, which is seen to be the next step after the voluntary surrender that brings his change of perspective, and The Moon card and illusion, another change of perspective.
The Hanging Man certainly values polar opposites, however it does not ask me to do anything with opposing forces but rather, to allow them to wash over me with the understanding that both comfort and discomfort have important places in my life. Many spiritual traditions teach us how to act, how to use intentions as a catalyst, and how to use our Will to manifest our goals; that is one side of the coin. A more difficult lesson to learn is that which shows us that those instances we most feel we want to control are the instances where we will be better served by surrendering. The cool thing about The Hanging Man is that he is not really hanging, he is balanced. By surrendering, he is in “suspension,” a state that can only be achieved by balancing opposing forces.
The Legacy of the Divine Hanging Man contains a symbol that illustrates this concept: an hourglass balanced on its side (the balance could not happen unless the hourglass was suspended with equal amounts of sand on each side). This is the kind of balance taught to us by our efforts to grow and evolve, for in order to practice our Craft well, we need to balance our focus between the inner world and the outer world, between receiving knowledge and sharing knowledge, between actively experiencing life and receiving glimpses of the workings of the Machinery of the Universe.
The Pearls of Wisdom Hanging Man represents cheerful sacrifice and surrender to the inevitable. It also refers to the deep emotional content buried in the subconscious mind that is made available to the conscious mind by the shock of altering perceptions. We are being told that despite feeling bound and restricted (or maybe because of those binds that restrict us), we are able to surrender to the entire event. We are emancipated from restrictions by surrendering to them, and we are freed from the fear of loss because we cannot act to prevent loss!
The Thoth Hanging Man seems to tell of waiting for something to happen, perhaps with a sense of fatalism arising from within (rather than from without, as portrayed by The Wheel of Fortune). It tells of the descent of Spirit into matter.
The Llewellyn Welsh Hanging Man tells of being detached and isolated, and reminds us that the silence of constraint brings deeper self-knowledge.
Out of the entire Tarot deck, The Hanging Man is the one card that represents true paradox. Think about it . . . who surrenders in order to win a battle? The Hanging Man does, and very effectively!
Next, the Temperance card.
Temperance represents synergy, which is also a form of balance; it is the archetype of the union of opposites. Temperance corresponds with Fire, the mutable Fire sign of Sagittarius, and the Hebrew letter Samekh (the tent post or support). On the Tree of Life, Temperance is the Path between Yesod (the home of the self and the life force; the bridge between the physical and the non-physical) and Tiphareth (the hub of the creation process, where energies harmonize and focus in order to illuminate and clarify). Unlike The Hanging Man, which is not about accomplishments, the Temperance card teaches us to cope with many different projects at the same time; the energies of this card offer a sort of freedom from stress, rather than from ties that bind.
Temperance has a connection to The Tower, which is also a card of extremes, however the energies of The Tower are a direct result of an imbalance rather than the balance to be found in Temperance. The World/Universe is about the unity and synergy that can result from the balance of opposites that Temperance brings us, and The Sun is about the personal vitality, enlightenment and confidence that can be achieved through a disciplined application of that balance.
The cool thing about Temperance is that it promotes both balance and equilibrium, but it also tells us that in order to attain and understand balance, we need to experience and understand extremes. We need to not only learn about the insight, illumination and expansion of The Sun, but we must also contrive to experience these extremes in our own lives. Likewise, the sudden upheaval, chaos, humility and blow to the ego of The Tower must be both understood and personally experienced in order to receive the insights offered by its devastation. Most importantly, we need to learn by trial and error, or by experiencing both failure and success, for it is only through knowing and understanding both that we are able to refine our perceptions of our world, and reconcile and unite extremes together in order to form balance.
The Legacy of the Divine Temperance card tells us that balance is fond by making continual adjustments and by getting the mixture right. It also reminds us that our hardships make us stronger and more refined.
The Pearls of Wisdom Temperance card reminds us that the process of tempering is connected to alchemic processes, of science combining with mysticism, of the irreconcilable being reconciled, in order to offer a vision of a future transformation. The image on this version of Temperance is partially blurred, reminding us that the union of opposites presented by Temperance is a temporary state.
The Thoth Temperance card, named “Art” by Aleister Crowley, tells us to “transmute all wholly into the Image of thy Will, bringing each to its true token of Perfection.” Crowley sees this card as representing the arts of magick and alchemy, and actions that are based on accurate calculations.
The Llewellyn Welsh Temperance card tells of both moderation and adaptation, and grace under pressure; and it tells of being a survivor. Now, that is interesting.
Temperance is indeed quite different from The Hanging Man, even though they both profess to manifest balance. It appears that I have found my two sides of balance, an outer and active version, and an inner and receptive version.
You can experience the two sides to balance, too. Try balancing on one foot; you will experience the kind of balance to be found in the Temperance card. This is active balance, and it can only be achieved by the imposition of equal yet opposite forces (gravity, and the efforts of your muscles to counteract that gravity). Then remember the last time you put on a life vest and floated in the deep end of a pool or lake, allowing the breeze and the currents to gently carry you here and there. In surrendering to the effects of the elements, you just may have experienced a moment of serene balance that never would have come to you if you tried to actively paddle to your own intended destination.
Perhaps by understanding the two sides of balance, we will be better able to manifest balance within our lives. What kind of balance are you looking for today?
Sources:
Sacred Mists Degree Training
Sacred Mists Tarot Class
The LWB’s that come with the Gateway to the Divine Tarot, the Llewellyn Welsh Tarot, the Pearls of Wisdom Tarot, and the Thoth Tarot.
Exploring Ancient Texts: An Akkadian Hymn to Ishtar
Prayer and song are elements of religious culture which anthropologists assume were some of the key early features of the world’s first religions thousands of years ago. The spoken or sung verbalization of a wish, a cry for help, a thank you and other types of prayer formalizes the supplicant’s desire ~ pushing it out from them and into the wider cosmos. It is a beautiful expression which bridges the gap between human and divine.
With the advent of writing in ancient Mesopotamia, these prayers began to be written down ~ their power deriving now as much from the vocalization of the desire as from the act of being written. Early writing was considered sacred. The knowledge of being able to read and write was a powerful skill; one which was possessed by the rare few; in fact, initially only priests, royal administrators, their scribes, and occasionally the royals themselves were capable of writing and reading. It was used as much for organizing the newly expanding Empires of the world as it was for magickal purposes. Over time, it would filter down to the merchants and beyond, sifting down through the ages until the invention of the printing press in China in the sixth century AD and the later, more prominent Western discovery of the printing press in the mid-fifteenth century, and the wider spread of literacy that ensued because of these discoveries. But in ancient Mesopotamia, the power of the written prayer was myriad, and was used to call upon the gods for a vast array of purposes.
The following prayer, or hymn, to the goddess Ishtar is from approximately 1600 BCE, during the first Dynasty of Babylon. It was written in cuneiform on behalf of the King Ammiditana, and survived the ages, to be deciphered by the archaeologists of the early twentieth century and ultimately read by you, dear reader, at the beginning of the twenty-first.








